Bibliography

1963

Anthony Tucker, ‘Construction: England at the Whitworth Gallery, Manchester’, Manchester Guardian, 15 November.

1964

Kenneth Coutts-Smith, ‘Garth Evans’, Arts Review, 13 June.

‘Mr. Garth Evans’, The Times, 14 June.

Kenneth Coutts-Smith, ‘Recent Hard Edge’, Arts Review, December.

1966

Sheldon Williams, New York Herald Tribune, 6 September.

John Russell, ‘When We Were Very Young’, Sunday Times, 11 September.

Eddie Wolfram, Arts Review, 17 September.

‘Four Shows of Coloured Sculpture’, The Times, 21 September.

Paul Crinke, ‘London’, Art & Artists, September.

David Thompson, ‘Art’, Queen, September.

Edward Lucie-Smith, ‘London Commentary’, Studio International, September.

Nigel Gosling, ‘Showcase for Singles’, Observer, 15 September.

Paul Overy, ‘Experiments with Media’, The Listener, 15 September.

Edwin Mullins, ‘Only Pleasure?’, Sunday Telegraph, 18 September.

Norbert Lynton, ‘Sculpture Galore’, The Guardian, 17 September.

Gene Baro, ‘British Sculpture, the Developing Scene’, Studio International, October.

Norbert Lynton, ‘London Letter’, Art International, November.

Guy Burn, Art Review, December.

1968

Eddie Wolfram, Art Review, 25 May.

Norbert Lynton, ‘Magna Opera,’ Guardian, 8 June.

‘Quick Council,’ Queen, 9 June.

‘Gallery Guide,’ Observer, 9 June.

John Russell, ‘Visions in Gas-light’, Sunday Times, 9 June.

Guy Brett, ‘Garth Evans Sculpture’, The Times, 13 June.

Anthony Fawcett, ‘The Colour of London’, Art and Artists, June.

‘New English Sculpture’, Das Kuntswerk, October/November.

1969

John Russell, ‘Fruits of Freedom’, Sunday Times, 17 August.

M.J. Smith, Arts Review, August.

Guy Brett, ‘Sculptor on His Mettle’, The Times, 4 September.

‘INNO 70’, The Artist, September.

Bernard Denvir, ‘London Letter’, Art International, October.

Christopher Patey, ‘Sculpture in Steel’, British Steel, November.

Bryn Campbell, ‘On the Ball’, Observer, 23 November.

Paul Overy, ‘Modern British Sculpture’, Financial Times, 9 December.

1970

Garth Hewitt, ‘He Sculpts in Steel’, Steel Times, January.

‘Objects Found Resembling Sculpture’, Studio International, November.

1971

Andrew Mackenzie, ‘The Artist in Industry’, Morning Telegraph (Sheffield Daily Telegraph), 1 October.

John Russell, ‘Blake the Craftsman’, Sunday Times, 12 December.

1972

Guy Burn, ‘British Sculptors ’72’, Arts Review, 15 January.

William Packer, ‘London’, Arts and Artists, February.

Nigel Gosling, ‘A Modern Master’, Observer, 20 February.

Peter Fuller, Arts Review, 26 February.

Jeremy Rees, ‘Public Sculpture’, Studio International, July-August.

1973

Pat Gilmore, ‘Drawing by Gallery Artists’, Arts Review, 10 February.

Jennifer Oillie, ‘Artists’ Market’, Arts Review, 1 December.

1974

David Ward, ‘Garth Evans’, Arts Review, 4 October.

Marina Vaizey, ‘Shapes of Inspiration’, Sunday Times, 13 October.

Paul Overy, ‘Jim Dine: Sparks that Don’t Catch Fire’, The Times, 15 October.

Caryn Faure Walker, Studio International, December.

Fenella Crichton, ‘London Letter’, Art International, December.

1975

Barry Martin, ‘UK Reviews’, Studio International, July-August.

Fenella Crichton, ‘London Letter’, Art International, 15 September.

Lawrence Alloway, ‘Caro’s Art-Tucker Choice’, Artforum, October.

1976

James Burr, ‘Virtuosity – Help or Hindrance?’, Apollo, February.

Bryan Roberton, ‘Garth Evans’, Harpers & Queen, February.

William Feaver, ‘Relics and Shrines’, Observer, 15 February.

Harold Osborne, ‘Garth Evans’, Art Review, 20 February.

Paul Overy, ‘This is So, isn’t it?’, The Times, 24 February.

William Packer, ‘Garth Evans’, Financial Times, 28 February.

Julian Mitchell, Edward Lucie-Smith, Philip Oakes, Gillian Reynolds, Critics’ Forum, (radio broadcast) BBC Radio 3, 28 February.

Eric Rowan, ‘Flexible Sculptures Make Disciplined Statement’, Western Mail, 23 March.

Ben Jones, ‘Review’, Artscribe, no. 2, Spring.

Fenella Crichton, ‘London Letter’, Art International, April-May.

Fenella Crichton, ‘Garth Evans’, Studio International, May-June.

1977

Marina Vaizey, ‘What is art if not a public affair?’, Sunday Times, 5 June.

William Feaver, ‘Reunion in the Park’, Observer, 12 June.

Bryan Robertson, ‘Grounds for Sculpture’, Harpers & Queen, September.

Colin Naylor and Genesis P-Orridge, Contemporary Artists, (book) St. James Press, London and New York.

Terence Maloon, ‘Drawing Contemporary Fire’, Spectator, 5 November.

Charles Spencer, ‘Silver Jubilee Exhibition of British Sculpture’, Scultura, October-November.

1978

T. Rendle, ‘Marginalia – Sculpture Garden’, Architectural Review, vol. CLXII, no. 947, April.

Marina Vaizey, ‘View of a Gritty World’, Sunday Times, 16 July.

William Feaver, ‘Paris Fashion’, Observer, 23 July.

Brian Wallworth, ‘Garth Evans’, Arts Review, 21 July.

John McEwen, ‘Explorative’, Spectator, 29 July.

Oswell Blakeston, ‘Small Sculpture, Drawings and Photos’, Arts Review, 1 September.

William Packer, ‘In the Open — A William Pye Retrospective’, Financial Times, 10 October.

Brian Wallworth, ‘Scale for Sculpture’, Arts Review, 10 November.

James Burr, ‘Strange Ways’, Apollo, December.

John Glaves-Smith, ‘The Man of Bronze and His Descendants’, Art Monthly, December-January.

1979

Marina Vaizey, ‘Art’, The Tatler, July-August.

Andrea Hill, Artscribe, no. 19, September.

‘Art of the 70s’, (educational filmstrip), Visual Publications.

William Packer, ‘An Annual Let-down’, Financial Times, 14 August.

Anonymous, ‘At the Hayward Gallery’, Art & Antiques, 4 August.

William Feaver, ‘Artistic All Sorts’, Observer, 22 July.

John Spurling, ‘Sorry!’, New Statesman, 27 July.

Michael Shepherd, ‘Hayward Tries Again’, Sunday Telegraph, 29 July.

John McEwen, ‘Clique-Claque’, Spectator, 28 July.

John McEwen, ‘Southbank Summer: the Hayward Annual’, Art Monthly, no. 29, July.

1980

Caryn Faure Walker, ‘Garth Evans’, Art Monthly, no. 41, December-January.

1981

Barry Kahn, ‘I Recently Visited’, (radio broadcast), WVOM, Ann Arbor, Spring.

1983

John Russell, ‘Critics’ Choices’, New York Times, 3 April.

Susan Dahl, ‘Garth Evans’, Art World, May.

G.H. ‘Garth Evans’, Art News, June.

Dale Harris, ‘The Nation’s Arts and Crafts’, Manchester Guardian Weekly, 12 June.

Marina Vaizey et al, ‘The Sculpture Show’, (radio broadcast) Critics’ Forum, BBC Radio 3, Summer.

William Feaver, ‘The Sculpture Show’, Observer, August.

Caroline Collier, ‘The Sculpture Show’, Flash Art, November.

von Volker Neuze, ‘Spindryer Gives Birth to a Violin’, Kolner Kulturberichte, 24 November.

Barbara Catoir, ‘Revolution in Cologne, Establishment in Düsseldorf’, Frankfurter Augemeine, 26 November.

1984

Noemi Smolik, ‘Sculpture Today’, Skyscraper, No. 1.

John Russell, ‘Sculptures by Garth Evans’, New York Times, 6 April.

William Packer, ‘Here we go Round the Mulberry Bush’, Financial Times, 7 February.

James Burr, ‘A Rag-Bag of Styles’, Apollo, February.

1988

Dore Ashton, ‘Particularity’, Garth Evans, Sculpture and Drawings 1979-1987, (exhibition catalogue), Yale Center for British Art, New Haven, Connecticut.

Shirley Gonzales, ‘Diverse Major Exhibitions on View at Colleges’, New Haven Register, Sunday, 7 February.

Vivien Raynor, ‘An 18th-Century Journey and New Shapes’, New York Times (Connecticut Edition), Sunday, 28 February.

Faith Middleton, Interview on ‘Open Air New England’, (radio broadcast) Connecticut Public Radio, 26 February.

Meyer Raphael Rubinstein and Daniel Weiner, ‘Transatlantic Passages: Recent Sculpture by Garth Evans’, Art Magazine, Summer 1988.

Michael Brenson, ‘Angular Sculptures with Multiple Meanings’, New York Times,               9 September.

1989

Alan G. Artner, ‘Evans’ Wall Reliefs Traditional, but of 80s’, Chicago Tribune, 13 October.

John Yau, ‘John Yau on Garth Evans’, Compass Rose Gallery, Exhibition Announcement,               October.

Alan G. Artner, ‘Top 10 Exhibitions’, Chicago Tribune, 29 December.

1990

Marsha Miro, ‘Sculptor Keeps his Independence and Lets Spotlight Shine Elsewhere’,

Detroit Free Press, Sunday 22 July.

Roy Oxlade, ‘British Artists in New York’, Modern Painters, vol. 3, no. 3, Autumn.

1991

Tim Hilton, ‘Garth Evans’, The Guardian, 6 February.

John McEwen, ‘Garth Evans: Recent Work’, Sunday Telegraph, 24 February.

William Packer, ‘Dangerous Play with Collages’, Financial Times, 9 February.

1993

Vivien Raynor, ‘Frames Amid Curves at Choate’s Mellon Center’, New York Times

(Connecticut Edition), Sunday, 24 January.

William Jaeger. ‘Exhibit explores painting-sculpture hybrids’, Times Union, Albany, N.Y., Sunday, 5 December.

Rich Kreiner, ‘Shape-Shifting’, Metroland, Troy, New York, December.

‘Artistic “Vision”’, The Post-Star, 25 November.

1995

Kristen Gonssons, ‘Multifaceted Artist to Display his Watercolor Works’, The Colgate Maroon News, 15 September.

1996

Vivian Raynor, ‘Over the Surface and Under Ground Central’, New York Times (New Jersey Edition), Sunday, 25 February.

Kate Zanzucci, ‘New art exhibit opens’, The Acorn, Madison, New Jersey, 23 February.

1997

Janet Koplos, ‘Garth Evans at Claudia Carr’, Art in America, October.

Michael Brenson, ‘Dramas of Desire and Disorder: The Yaddo Drawings of

Garth Evans’, Garth Evans: The 1982 Yaddo Drawings, (exhibition catalogue), New York.

Robert C. Morgan, ‘Watch Your Calories at the Galleries’, Cover #43.

Kathi Norklun, ‘Two Dimensions Foreshadowing Three’, Woodstock Times, 27 November.

1998

Ken Johnson, ‘Garth Evans, New York Studio School’, New York Times, (Art Guide),

Friday, 4 April.

Robert C. Morgan and Mark Daniel Cohen, ‘Critical Comments, Garth Evans, The 1982 Yaddo Drawings at the New York Studio School’, Review, 1 May.

Jeanette Fintz, ‘From the inside out’, Register-Star, Hudson, New York, 25 September.

William Jaeger, ‘Hudson art exhibits missing excitement, innovation’, Times Union, Albany,

New York, 27 September.

1999

Mark Daniel Cohen, ‘The 1982 (Yaddo) Drawings of Garth Evans’, Drawing, vol XX, no 2.

2000

Karen Bjornland, ‘Saratoga gallery exhibits work of six artists for Yaddo centennial’, The Daily Gazette, Schenectady, New York, 14 June.

Patti Croop, ‘100th Anniversary of Yaddo Is Celebrated With Exhibition By Former Artists-              In-Residence’, The Saratoga Business Journal, June.

2001

Chris Shall, ‘Reluctant watercolors’, (Go See It), The Wichita Eagle, Sunday, 22 April.

2002

Daniel Kunitz, ‘A Gamble Pays Off’, The New York Sun, Thursday, 9 May.

Peter Plagens, ‘WarrenSt.#27 by Garth Evans’, artnet.com Magazine Reviews, (online journal) November.

2003

David Cohen, ‘Watercolor at Kouros Gallery’, The New York Sun, 14 August.

Maureen Mullarkey, ‘Watercolor’, artcritical.com, (online journal) 6-22 August.

David Cohen, ‘Watercolor’, artcritical.com, 6-22 August.

2004

Mario Naves, ‘Wishy-washy?’, The New York Observer, 2 August.

Ken Johnson, ‘WATERCURRENTS’, The New York Times, Friday, 30 July.

David Cohen, ‘Garth Evans, Watercolors’, The New York Sun, 16 December.

2005

Roberta Smith, ‘In black and White’, The New York Times, Friday, 8 April.

Mario Naves, ‘A Fun Group’, The New York Observer, 18 April.

Mick Hume, ‘Before irony began’, The Times, 3 August.

Andrew Lambirth, ‘Look back with pleasure’, The Spectator, 27 August.

2006

Ken Johnson, ‘For a Broad Landscape, An Equally Wide Survey’, The New York Times,

Lance Esplund, ‘The Academy Hedges Its Bets’, The New York Sun, 18 May.

Mario Naves, ‘Un-Hyped Academy Annual Quietly Takes the Long View’, The New York Observer, 2 June.

Mario Naves, ‘Evans Crafts Valiant Gestures Out of Cut Rate Materials’, The New York

Observer, 9 October.

David Cohen, ‘On Sculpture Today’, The New York Sun, 14 September.

2007

Ann Compton, ‘Garth Evans at Lori Bookstein’, Art in America, February.

Brad Tilles, ‘Evans has sculpted a career out of art’, Woodstock Villager, 24 August.

2009

Ann Compton, ‘Is this it?’, (catalogue essay), Garth Evans, Sculpture from the Sixties, Poussin Gallery, London, February-March.

Mario Naves, ‘Garth Evans: Sculpture from the Late 1980s’ New York Arts Review, April.

Roberta Smith, ‘The Mood of the Market, as Measured in the Gallery’ The New York Times, 4 September.

2010

Janet Koplos, ‘Garth Evans: Transformer’, Sculpture, 4 October.

2012

‘United Enemies: The Problem of Sculpture in Britain in the 1960s and 1970s\Henry Moore Institute/Leeds’, Aesthetica Magazine Blog, 4 February.